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Towards a World Where Everyone Can Smile
Words always accompany Kazuyuki Ishihara’s gardens. For “MOROTO no IE”, shown at the 2024 Chelsea Flower Show, he wrote: “When you are happy, your family is happy too. When a family is happy, so is the town, and then the country. If there were more flowers, might conflict disappear too? Aiming for a world where everyone can smile.”
The following year, 2025, “Cha No Niwa – Japanese Tea Garden” grew out of memories of his home town, Nagasaki. To Nagasaki, where the atomic bomb of 1945 destroyed everything, nature in time returned. Nature can come back to life, beautiful once more — the garden that expressed this hope won a Gold Medal and, at the same time, RHS Chelsea Garden of the Year, the highest honour among the gardens on show, and RHS People’s Choice, chosen by visitors’ votes. In Britain, one of the world’s great garden nations, the beauty of the Japanese garden was recognised.
His themes always lie in everyday life. In “Garage Garden” (2016), a place merely for parking a car became a place to spend time with plants. In “Green Switch” (2019), you look out at greenery through glass as you shower. And in “Tokonoma Garden – Sanumaya no Niwa” (2026), he proposed for today, as a garden, the way of life around a tokonoma, where the family gathered and people from the neighbourhood came to call. Even in a small space, a little ingenuity can give the heart room to breathe. Ishihara’s gardens teach us that.
In Mihara, in his home city of Nagasaki, he goes on making “Mihara Garden”, an open garden that makes the most of its hillside. With two gardens, one Japanese and one Western, a restaurant and café, a gallery of fukei bonsai and even a goat shed, it is a garden that never stops evolving. The City of Nagasaki has also taken note of it as a model for making good use of sloping land.
He went to Chelsea in 2026 resolved that it would be his “last challenge”, and with a Silver-Gilt Medal made it eighteen consecutive awards in twenty-two years. The philosophy and techniques he has cultivated are being handed on to “Team Ishihara”, with his son, Jun Ishihara, at its centre. The words he holds up remain the same: “Garden-making without end, for everyone. Sustainable gardens, for towns that make the heart leap. Flowers and greenery, to make Japan the most beautiful country in the world.”